Joey Jones - Graphic designer
Joey is a Graphic Designer at Beechwood Magazine, based in Orlando, Florida. His approach to design is less about placing images on a page and more about the feeling a viewer carries away from it — the balance, the focus, the quiet pull of something that was built with intention. Every graphic he creates is tailored to forge a connection, making Beechwood's visual identity not just sleek, but felt. Among his proudest contributions is the design and editing of Beechwood Magazine itself.
A Florida native through and through, Joey sees the state as a place of culture, freedom, and adventure. He returns often to Cedar Lakes Gardens — and specifically Devil's Den Prehistoric Spring — drawn back each time by the views, the sense of discovery, and the rare feeling of being somewhere both relaxing and alive.
Outside of Beechwood, animation is his true north. Joey is working toward producing his own animated series and establishing himself as a pillar in the animation community. He has studied the craft deeply — what makes animation compelling, how plot and character development build worlds that linger — and can hold his own in conversations about anime, Marvel, or DC with anyone willing to go the distance. A particular inspiration is animator Yoshihiro Oyabu, whose work he admires for the way emotion is sequenced directly into each scene, making every frame feel deliberately invoking rather than merely beautiful.
His personal style mirrors his design philosophy: loud, vintage, and maximalist — but always balanced. Flashy and classic at once. Colorful and comfortable. Bold and swanky. It is, in every way, a wearable extension of how he approaches his work.
His brand inspirations reflect the same intentionality. Nike, for the decisive instinct behind "Just Do It." Fear of God Essentials, for its spiritual ease and quiet encouragement to be exactly who you are.
Joey joined Beechwood because of its mission — to return creative power to the artists who generate it, rather than the technologies that replicate it. As someone with deep roots in animation, a field increasingly in tension with AI, this resonates personally. He sees Beechwood as a platform that will help shape where consumers place their trust: in human creativity, or in what merely mimics it.
Currently watching Beauty in Black and Jujutsu Kaisen — for the drama, the animation craft, and the particular joy of fictional situations taken to their most exaggerated, brilliant extreme.
